youth是什么意思?youth什么意思
本文目录
- youth是什么意思
- youth什么意思
- youth怎么读 youth如何读
- youth怎么读
- 青春的英语拼写是“youth”还是“youngth”
- 初中英语单词youth用法
- youth什么意思 youth的意思
- Youth什么意思
- “Youth”是什么意思
- Ulysses (novel)
youth是什么意思
youth的意思是:青年、青春。
读音:英
n. 青年;青春;年轻;青少年时期
复数:youths
例句:
In my youth my ambition had been to be an inventor.
在我年轻时我的抱负曾是当一名发明家。
相关短语:
Sonic Youth 音速青年 ; 音速青春 ; 音速青年乐队
Youth Hostel 青年旅舍 ; 青年招待所
youth without youth 没有青春的青春 ; 第三朵玫瑰 ; 逆转年华 ; 迷失青春
Youth Olympic Games 青年奥林匹克运动会 ; 青奥会 ; 以青奥会英文名称
youth什么意思
1、youth的意思是:青年、青春。2、读音:英3、复数:youths4、例句:Inmyyouthmyambitionhadbeentobeaninventor.在我年轻时我的抱负曾是当一名发明家。
youth怎么读 youth如何读
1、youth读音:英 2、n. 年轻, 青年时代, 青年们, 青春 3、period of being young, esp the time between childhood and maturity 。青少年时期。 4、a wasted (ie unprofitably spent) youth 。虚度的青少年时代。
youth怎么读
youth的读音是:英。youth的读音是:英青年男子,小伙子youngman。youth的例句是用作名词(n.)Inhisyouth,hehadshowngreatpromise.他在青少年时代就显得很有出息。一、双解释义点此查看youth的详细内容n.(名词)青少年时期theperiodofbeingyoung,especiallybetweenchildhoodandmaturity青春,活力,朝气,血气stateorqualityofbeingyoung青年人youngpeopleconsideredasagroup青年男子,小伙子youngman二、词典解释1.青年时期;青少年时代Someone’syouthistheperiodoftheirlifeduringwhichtheyareachild,beforetheyareafullymatureadult.e.g.Inmyyouthmyambitionhadbeentobeaninventor.我年轻时的抱负是成为一个发明家。e.g....thecomicbooksofmyyouth.我少年时代看的漫画书2.青春;朝气;年轻Youthisthequalityorstateofbeingyoung.youth的反义词e.g.GregorywasstillenchantedwithShannon’syouthandjoyandbeauty...格雷戈里仍为香农的朝气、快乐和美丽着迷。e.g.Theteamisnowagoodmixtureofexperienceandyouth.这个队如今既经验丰富又充满朝气。3.(新闻用语,尤指惹麻烦的)青年,小伙子Journalistsoftenrefertoyoungmenasyouths,especiallywhentheyarereportingthattheyoungmenhavecausedtrouble.youth是什么意思e.g....gangsofyouthswhobrokewindowsandlootedshops...打碎玻璃橱窗抢劫商店的成群的年轻人e.g.A17-year-oldyouthwasremandedincustodyyesterday.一名17岁的年轻人昨天被还押候审。4.(统称)青年,年轻人Theyouthareyoungpeopleconsideredasagroup.e.g.Herepresentstheopinionsoftheyouthoftoday...他代表着当今年轻人的看法。e.g.She’snotaverygoodinfluenceontheyouthofthiscountry.她对这个国家的青年一代没什么好影响。三、例句Inhisyouth,hehadshowngreatpromise.他在青少年时代就显得很有出息。Hemusedovermemoriesofhisyouth.他重温青年时期的往事。Youthglidedpastwithoutourawareness.青春在我们不知不觉中逝去。Ican’tbearyoungpeoplecastingawaytheiryouth.我无法忍受年轻人虚掷青春。Theyouthofthecountryarebeingignoredbypoliticians.这个国家的青年没有受到政治家的重视。Hisbrotherisamemberofayouthfellowship.他哥哥是青年联谊会的会员。四、常见句型用作名词(n.)Hespenthisyouthinthenorth.他在北方度过了青年时代。Theystudiedtogetherintheiryouth.青少年时期他们就在一起学习。Inhisyouth,hehadshowngreatpromise.他在青年时代就显示出前途无量。Heisafriendofmyyouth.他是我青年时代的一个朋友。Hesighedforthelostdaysofhisyouth.他哀叹失去的青春年华。Iamdeterminedtogivemyyouthtothemotherland.我决心把青春献给祖国。Helosthisyouthalongtimeago.他早已失去了青春活力。She’stryingfranticallytomaintainheryouth.她千方百计试图保持年轻。OldBeijingisfullofyouthandvigour.古老的北京充满青春活力。Whenyou’reolderyou’llbesorrythatyouidledawayyouryouthinsteadofpreparingforaprofession.等你老了你会为你虚度了青春而没有认真从事一项事业而后悔。Spartanyouthwerebredaswarriors.斯巴达的青年被训练成武士。Theyouthofthecountryis/arebeingignoredbypoliticians.这个国家的青年人没有受到政治家们的重视。Itisnecessarytogettheyouthtohaveahighethicalconcept.必须使青年具有高度的道德观念。Theyouthadmittedthathehadstiffedhorsesforafee.这个青年承认他为了钱而对一些马作了手脚,使它们跑得不快。Asayouthheshowedlittlepromise.他这个小伙子,看不出有什么出息。Bothherbrothersaretallfair-hairedyouths.她的两个兄弟都是个子高大、有着金黄色头发的青年。Thefightwasstartedbysomeyouthswhohadbeendrinking.这场架是一帮喝醉了酒的小青年惹起的。Vigorousyouthissubjectedtorigorousdiscipline.使活泼的年轻人受严格的纪律约束。Hebilletedinyouthhotels.他投宿于青年旅店。Thechildrendon’tdomuchattheiryouthclub,butatleastitkeepsthemoutofharm’sway.虽说孩子们在青少年俱乐部里也干不了什么,但在那儿起码可以不出事儿。五、经典引文Hisantagonistwastiring...Hisownyouthandconditionwerebeginningtotell.出自:ConanDoyleHavingformanyyears..feignedyouth,henowaspiredtothehonoursofage.出自:E.WaughHewas..alwaysonyouth’ssideagainsttheabsurditiesofmiddleage.出自:personified六、常见错误n.(名词)一些年轻人正站在车站旁边。误Someyouthwerestandingnearthebusstop.正Someyouthswerestandingnearthebusstop.析当youth作“年轻人”解时,它是可数名词,词尾可加-s。如果要说“一个年轻人”,可以用ayouth来表达。这个国家的青年都斗志昂扬。误Theyouthsofthecountryarereadytofight.正Theyouthofthecountryarereadytofight.当代的青年人不知道自己想要什么。误Theyouthoftodaydoesn’tknowwhathewants.正Theyouthoftodaydon’tknowwhattheywant.析youth前面加定冠词the表示特定地区或特定时期的“青年们”,是集合名词,词尾不加-s。用作主语时谓语动词常用复数形式。她的青春是在苏格兰度过的。误ShespentheryouthsinScotland.正ShespentheryouthinScotland.析表示一个人的“青春”“青年时代”时,youth是不可数名词,没有复数形式。youth的相关近义词adolescence、child、lad、stripling、teenager、youngster、lassyouth的相关反义词adult、grown-upyouth的相关临近词youthful、yourselves、Youthi、youthy、youths、youthen、youthify、youthmin、youthism、YouthDay、youthone、youthwort点此查看更多关于youth的详细信息
青春的英语拼写是“youth”还是“youngth”
你好,很高兴可以来回答一下你的这个问题哟:青春的英语拼写是youth 名词 青春,青春时期,青年时期!希望以上我的回答能够帮助到你唷!!!!
初中英语单词youth用法
youth我们在使用的时候要注意它所表示的是否可数,及其它的一些相关的`用法介绍。
注意以下用法及其可数性:
1. 表示“青春”,是不可数名词 。如:
She lost (kept) her youth. 她青春不再(青春依旧)。
2. 表示“青年时代”、“年轻时候”,是不可数名词 。如:
I often went there in my youth. 我小时候常去那儿。
At the party I met a friend of my youth. 在晚会上我遇到了一个我年轻时候的朋友。
3. 表示“青年人”,有两种用法:
(1) 用作个体名词(可数),主要用来指男青年而不指女青年。如:
As a youth he showed little promise. 他这个小伙子看不出有什么出息。
Several youths and girls were standing at street corner. 有几个小伙子和姑娘站在街道拐角处。
注:这样用的 youth 有时带有贬义。如:
The police are looking for five youths (=five people). 警察正在找五个青年人。
(2) 用作集合名词,表整体(可指男女青年),用作主语时谓语可用单数或复数。如:
The youth of today is fond of dancing. 现在的年青人都喜欢跳舞。
The youth of the country is ready to fight. 全国的青年都准备战斗。
youth什么意思 youth的意思
1、youth的意思是:青年、青春。 2、读音:英 3、复数:youths 4、例句:In my youth my ambition had been to be an inventor.在我年轻时我的抱负曾是当一名发明家。
Youth什么意思
意思:n. 青年时期;青春;青年
读音:英
名词复数:youths
例句:
1、In his youth, he had shown great promise.
他在青少年时代就显得很有出息。
2、He mused over memories of his youth.
他重温青年时期的往事。
词汇搭配:
1、cherish one’s youth :珍惜青春
2、destroy youth :破坏青春
3、equip youth :培养青年人
扩展资料
近义词:
一、adolescence
读音:英
意思:n. 青春期(一般指13~16岁的发育期)
例句:Adolescence is no time to be lulled to sleep.
青春期不是让人哄着入睡的时候了。
二、lad
读音:英
意思:n. 少年;小伙子;《口》伙伴
例句:He is just a lad.
他不过是个小青年。
“Youth”是什么意思
1、youth的基本意思是“青少年时期”,也可指“青春”“活力”“朝气”“血气”,是不可数名词,作主语时,谓语动词只能用单数形式。
2、youth还可作“青年人”解,指某个地区、国家或特定时期男女青年的总称,是集合名词,通常用作单数形式,其前常有定冠词the修饰,其后多与介词of连用,作主语时,谓语动词通常用复数形式,有时也用单数形式。
3、 youth也可作“青年男子,小伙子”解,是可数名词。
扩展资料:
近义词
1、teenager
读音:英
n. 青少年;13岁到19岁的年轻人
It is not easy to educate teenagers.
教育青少年不是件容易的事。
2、lad
读音:英
n. 少年;小伙子;《口》伙伴
He is just a lad.
他不过是个小青年。
Ulysses (novel)
Ulysses is a modernist novel by Irish writer James Joyce. It was first serialised in parts in the American journal The Little Review from March 1918 to December 1920, and then published in its entirety in Paris by Sylvia Beach on 2 February 1922, Joyce’s 40th birthday. It is considered to be one of the most important works of modernist literature,Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer’s epic poem Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early twentieth century context of modernism, Dublin, and Ireland’s relationship to Britain. The novel imitates registers of centuries of English literature and is highly allusive.Ulysses is approximately 265,000 words in length and is divided into eighteen episodes. Since publication, the book has attracted controversy and scrutiny, ranging from early obscenity trials to protracted textual "Joyce Wars". Ulysses’ stream-of-consciousness technique, careful structuring, and experimental prose — full of puns, parodies, and allusions — as well as its rich characterisation and broad humour, have led it to be regarded as one of the greatest literary works ever written. Joyce fans worldwide now celebrate 16 June as Bloomsday.Structure EditJoyce divided Ulysses into 18 episodes. At first glance much of the book may appear unstructured and chaotic; Joyce once said that he had "put in so many enigmas and puzzles that it will keep the professors busy for centuries arguing over what I meant", which would earn the novel immortality. The two schemata which Stuart Gilbert and Herbert Gorman released after publication to defend Joyce from the obscenity accusations made the links to the Odyssey clear, and also explained the work’s internal structure.Ulysses, Egoist Press, 1922 Every episode of Ulysses has a theme, technique and correspondence between its characters and those of the Odyssey. The original text did not include these episode titles and the correspondences; instead, they originate from the Linati and Gilbert schemata. Joyce referred to the episodes by their Homeric titles in his letters. He took the idiosyncratic rendering of some of the titles, e.g. "Nausikaa" and the "Telemachiad" from Victor Bérard’s two-volume Les Phéniciens et l’Odyssée which he consulted in 1918 in the Zentralbibliothek Zürich. Part I: The Telemachiad Edit Episode 1, Telemachus EditJames Joyce’s room in the present-day James Joyce Tower and Museum It is 8 a.m. Buck Mulligan, a boisterous medical student, calls Stephen Dedalus (a young writer encountered as the principal subject of A Portrait of the Artist as a Young Man) up to the roof of the Sandycove Martello tower where they both live. There is tension between Stephen and Mulligan, stemming from a cruel remark Stephen has overheard Mulligan making about his recently deceased mother, May Dedalus, and from the fact that Mulligan has invited an English student, Haines, to stay with them. The three men eat breakfast and walk to the shore, where Mulligan demands from Stephen the key to the tower and a loan. Departing, Stephen declares that he will not return to the tower tonight, as Mulligan, the "usurper", has taken it over. Episode 2, Nestor Edit Stephen is teaching a history class on the victories of Pyrrhus of Epirus. After class, one student, Cyril Sargent, stays behind so that Stephen can show him how to do a set of arithmetic exercises. Stephen looks at the ugly face of Sargent and tries to imagine Sargent’s mother’s love for him. Stephen then visits school headmaster Garrett Deasy, from whom he collects his pay and a letter to take to a newspaper office for printing. The two discuss Irish history and the role of Jews in the economy. As Stephen leaves, Deasy said that Ireland has "never persecuted the Jews" because the country "never let them in". This episode is the source of some of the novel’s most famous lines, such as Dedalus’s claim that "history is a nightmare from which I am trying to awake" and that God is "a shout in the street." Episode 3, Proteus EditSandymount Strand looking across Dublin Bay to Howth Head Stephen finds his way to Sandymount Strand and mopes around for some time, mulling various philosophical concepts, his family, his life as a student in Paris, and his mother’s death. As Stephen reminisces and ponders, he lies down among some rocks, watches a couple and a dog, scribbles some ideas for poetry, picks his nose and urinates behind a rock. This chapter is characterised by a stream of consciousness narrative style that changes focus wildly. Stephen’s education is reflected in the many obscure references and foreign phrases employed in this episode, which have earned it a reputation for being one of the book’s most difficult chapters. Part II: The Odyssey Edit Episode 4, Calypso Edit The narrative shifts abruptly. The time is again 8 am, but the action has moved across the city and to the second protagonist of the book, Leopold Bloom, a part-Jewish advertising canvasser. The episode opens with the famous line, ‘Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls.’ Bloom, after starting to prepare breakfast, decides to walk to a butcher to buy a pork kidney. Returning home, he prepares breakfast and brings it with the mail to his wife Molly as she lounges in bed. One of the letters is from her concert manager Blazes Boylan, with whom Molly is having an affair. Bloom is aware that Molly will welcome Boylan into her bed later that day, and is tormented by the thought. Bloom reads a letter from their daughter Milly Bloom, who tells him about her progress in the photography business in Mullingar. The episode closes with Bloom reading a magazine named Matcham’s Masterstroke by Mr. Philip Beaufoy, and defecating in the outhouse. Episode 5, Lotus Eaters Edit Bloom makes his way to Westland Row post office where he receives a love letter from one ’Martha Clifford’ addressed to his pseudonym, ’Henry Flower’. He meets an acquaintance, and while they chat, Bloom attempts to ogle a woman wearing stockings, but is prevented by a passing tram. Next, he reads the letter and tears up the envelope in an alley. He wanders into a Catholic church service and muses on theology. The priest has the letters I.N.R.I. or I.H.S. on his back; Molly had told Bloom that they meant I have sinned or I have suffered, and Iron nails ran in. He goes to a chemist where he buys a bar of lemon soap. He then meets another acquaintance, Bantam Lyons, who mistakenly takes him to be offering a racing tip for the horse Throwaway. Finally, Bloom heads towards the baths. Episode 6, Hades Edit The episode begins with Bloom entering a funeral carriage with three others, including Stephen’s father. They drive to Paddy Dignam’s funeral, making small talk on the way. The carriage passes both Stephen and Blazes Boylan. There is discussion of various forms of death and burial, and Bloom is preoccupied by thoughts of his dead son, Rudy, and the suicide of his own father. They enter the chapel into the service and subsequently leave with the coffin cart. Bloom sees a mysterious man wearing a mackintosh during the burial. Bloom continues to reflect upon death, but at the end of the episode rejects morbid thoughts to embrace ’warm fullblooded life’. Episode 7, Aeolus Edit At the office of the Freeman’s Journal, Bloom attempts to place an ad. Although initially encouraged by the editor, he is unsuccessful. Stephen arrives bringing Deasy’s letter about ’foot and mouth’ disease, but Stephen and Bloom do not meet. Stephen leads the editor and others to a pub, relating an anecdote on the way about ’two Dublin vestals’. The episode is broken into short segments by newspaper-style headlines, and is characterised by an abundance of rhetorical figures and devices. Episode 8, Lestrygonians EditDavy Byrne’s Pub, Dublin, where Bloom consumes a gorgonzola cheese sandwich and a glass of burgundy Bloom’s thoughts are peppered with references to food as lunchtime approaches. He meets an old flame and hears news of Mina Purefoy’s labour. He enters the restaurant of the Burton Hotel where he is revolted by the sight of men eating like animals. He goes instead to Davy Byrne’s pub, where he consumes a gorgonzola cheese sandwich and a glass of burgundy, and muses upon the early days of his relationship with Molly and how the marriage has declined: ’Me. And me now.’ Bloom’s thoughts touch on what goddesses and gods eat and drink. He ponders whether the statues of Greek goddesses in the National Museum have anuses as do mortals. On leaving the pub Bloom heads toward the museum, but spots Boylan across the street and, panicking, rushes into the gallery across the street from the museum. Episode 9, Scylla and Charybdis EditNational Library of Ireland At the National Library, Stephen explains to various scholars his biographical theory of the works of Shakespeare, especially Hamlet, which he claims are based largely on the posited adultery of Shakespeare’s wife. Bloom enters the National Library to look up an old copy of the ad he has been trying to place. He encounters Stephen briefly and unknowingly at the end of the episode. Episode 10, Wandering Rocks Edit In this episode, nineteen short vignettes depict the wanderings of various characters, major and minor, through the streets of Dublin. The episode ends with an account of the cavalcade of the Lord Lieutenant of Ireland, William Ward, Earl of Dudley, through the streets, which is encountered by various characters from the novel. Episode 11, Sirens Edit In this episode, dominated by motifs of music, Bloom has dinner with Stephen’s uncle at a hotel, while Molly’s lover, Blazes Boylan, proceeds to his rendezvous with her. While dining, Bloom watches the seductive barmaids and listens to the singing of Stephen’s father and others. Episode 12, Cyclops Edit This chapter is narrated by an unnamed denizen of Dublin. The narrator goes to Barney Kiernan’s pub where he meets a character referred to only as "The Citizen". When Leopold Bloom enters the pub, he is berated by the Citizen, who is a fierce Fenian and anti-Semite. The episode ends with Bloom reminding the Citizen that his Saviour was a Jew. As Bloom leaves the pub, the Citizen, in anger, throws a biscuit tin at Bloom’s head, but misses. The chapter is marked by extended tangents made in voices other than that of the unnamed narrator: these include streams of legal jargon, Biblical passages, and elements of Irish mythology. Episode 13, Nausicaa Edit All the action of the episode takes place on the rocks of Sandymount Strand, a shoreline area to the southeast of central Dublin. ‘Nausicaa’ attracted immense notoriety while the book was being published in serial form. The style of the first half of the episode borrows from (and parodies) romance magazines and novelettes. Episode 14, Oxen of the Sun Edit Bloom visits the maternity hospital where Mina Purefoy is giving birth, and finally meets Stephen, who has been drinking with his medical student friends and is awaiting the promised arrival of Buck Mulligan. As the only father in the group of men, Bloom is concerned about Mina Purefoy in her labour. He starts thinking about his wife and the births of his two children. He also thinks about the loss of his only ‘heir’, Rudy. The young men become boisterous, and even start talking about topics such as fertility, contraception and abortion. There is also a suggestion that Milly, Bloom’s daughter, is in a relationship with one of the young men, Bannon. They continue on to a pub to continue drinking, following the successful birth of a son to Mina Purefoy. This chapter is remarkable for Joyce’s wordplay, which, among other things, recapitulates the entire history of the English language. After a short incantation, the episode starts with latinate prose, Anglo-Saxon alliteration, and moves on through parodies of, among others, Malory, the King James Bible, Bunyan, Defoe, Sterne, Walpole, Gibbon, Dickens, and Carlyle, before concluding in a haze of nearly incomprehensible slang. The development of the English language in the episode is believed to be aligned with the nine-month gestation period of the foetus in the womb. Episode 15, Circe Edit Episode 15 is written as a play script, complete with stage directions. The plot is frequently interrupted by "hallucinations" experienced by Stephen and Bloom—fantastic manifestations of the fears and passions of the two characters. Stephen and Lynch walk into Nighttown, Dublin’s red-light district. Bloom pursues them and eventually finds them at Bella Cohen’s brothel, where in the company of her workers including Zoe Higgins, Florry Talbot and Kitty Ricketts he has a series of hallucinations regarding his sexual fetishes, fantasies, and transgressions. Bloom is put in the dock to answer charges by a variety of sadistic, accusing women including Mrs Yelverton Barry, Mrs Bellingham and The Hon Mrs Mervyn Talboys. When Bloom witnesses Stephen overpaying for services received, Bloom decides to hold onto the rest of Stephen’s money for safekeeping. Stephen hallucinates that the rotting cadaver of his mother has risen up from the floor to confront him. Terrified, Stephen uses his walking stick to smash a chandelier and then runs out. Bloom quickly pays Bella for the damage, then runs after Stephen. Bloom finds Stephen engaged in a heated argument with an English soldier, Private Carr, who, after a perceived insult to the King, punches Stephen. The police arrive and the crowd disperses. As Bloom is tending to Stephen, Bloom has a hallucination of Rudy, his deceased child. Part III: The Nostos Edit Episode 16, Eumaeus Edit Bloom and Stephen go to the cabman’s shelter to restore the latter to his senses. At the cabman’s shelter, they encounter a drunken sailor named D. B. Murphy (W. B. Murphy in the 1922 text). The episode is dominated by the motif of confusion and mistaken identity, with Bloom, Stephen and Murphy’s identities being repeatedly called into question. The rambling and laboured style of the narrative in this episode reflects the nervous exhaustion and confusion of the two protagonists. Episode 17, Ithaca Edit Bloom returns home with Stephen, makes him a cup of cocoa, discusses cultural and lingual differences between them, considers the possibility of publishing Stephen’s parable stories, and offers him a place to stay for the night. Stephen refuses Bloom’s offer and is ambiguous about Bloom’s proposal of future meetings. The two men urinate in the backyard, Stephen departs and wanders off into the night, Episode 18, Penelope Edit The final episode consists of Molly Bloom’s thoughts as she lies in bed next to her husband. The episode uses a stream-of-consciousness technique in eight sentences and lacks punctuation. Molly thinks about Boylan and Bloom, her past admirers, including Lieutenant Stanley G. Gardner, the events of the day, her childhood in Gibraltar, and her curtailed singing career. She also hints at a homosexual relationship, in her youth, with a childhood friend named Hester Stanhope. These thoughts are occasionally interrupted by distractions, such as a train whistle or the need to urinate. The episode famously concludes with Molly’s remembrance of Bloom’s marriage proposal, and of her acceptance: "he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes." The episode is also concerned with the occurrence of Molly’s early period. She considers the proximity of her period following her extra marital affairs with Boylan, and believes her menstrual condition is the reason for her increased sexual appetite.
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